Portrait of Laurence Plazenet

Laurence Plazenet est née à Paris en 1968. Lectrice passionnée dès l’âge de cinq ans, , elle s’intéresse rapidement à l’écriture. Ancienne élève de l’École normale supérieure de la rue d’Ulm et agrégée de lettres classiques, elle entame un doctorat ès lettres et commence à enseigner à la Sorbonne après avoir également étudié à l’université de Princeton jusqu’en 1994. Mais, alors convaincue de n’avoir rien à dire qui vaille une page de papier imprimé, elle a décidé de se taire. Pendant dix ans, elle se consacre alors à des travaux universitaires qui lui paraissent du moins une manière probe de servir la littérature. Elle rompt le silence en 2005 avec L’amour seul (Albin Michel), suivi de La Blessure et la soif (2009) et de Disproportion de l’homme (2010), parus chez Gallimard. Maître de conférences de Littérature française (soutenance HDR) à l’Université de Paris-Sorbonne jusqu’en 2017, membre du CNRS et de l’Institut universitaire de France, vice-présidente de la Société des Amis de Port-Royal, Laurence Plazenet a entamé la composition d’un quatrième roman.

EUPL Year
EUPL Country
L'amour seul

Agent / Rights Director

Solene.CHABANAIS@albin-michel.fr
Solène Chabanais

Publishing House

Translation Deals

Translation Deals
  • Albanian: Botime Pegi
  • Bulgaria: Colibri
  • Croatia: Naklada Ljevak
  • FYROM: Tri publishing centre
  • Georgia: Elf Publishing House
  • Hungary: Libri Könyvkiadó Kft.
  • Italy: Mimesis Edizioni SRL
  • Lithuania: Gimtasis Zodis
  • Serbia: Heliks Publishing house
  • Slovenia: Sodobnost International
  • Spain: Ático de los libros (Futurbox project SL)

Excerpt

Excerpt

After his wife died, Monsieur d’Albrecht had refused to relinquish the body she had abandoned.  He had remained kneeling, his wife’s hands in his own.  He ignored both the priests’ prayers and the rebukes of his servants.  He watched Madame d’Albrecht’s closed eyelids.  In spirit, he kissed them; in the twilight of their room, he caressed her bosom.  It was the substitution of one obscurity for another.  Two large candles burning on either side of the bed faintly illumined this final tryst.
     Monsieur d’Albrecht’s son came to speak with him.  The young man felt in no position to utter the reprimands he was to convey.  He stood gracelessly, his eyes riveted on his mother’s corpse.  The widower ignored him.  The boy waited a moment, then withdrew.
     The night passed.
     In the morning, Monsieur d’Albrecht’s daughter was brought to see him.  She was hardly walking.  Her cheeks were pink.  She did not entertain him.  First he rose angrily.  Then he froze and remained immobile before the child.  He was struck by the resemblance she bore to Madame d’Albrecht.  She parted her lips in the same way.  Her lashes blinked at the same speed.  The intense black of the eyes they sheltered was identical.  The little girl had burst into tears.  In one breath, his mouth dry, he had commanded that she be removed from his sight.
     Monsieur d’Albrecht was a man full of hubris, well-educated, taciturn.  He fled his daughter.  He insisted that she reside in quarters far from those he inhabited himself and that she appear nowhere.  He went weeks, sometimes even months, without seeing her.  One summer day ten years later, while walking guests back to the first courtyard of his residence, he heard, on his left and coming from a hanging veranda, a voice whose contours echoed those that still rang in his ears night after night.  A fog descended.  A shiver ran through him.  He shuddered.  He ordered the culprit brought before him.  He towered above her.  He could see the hollow at the top of her coiffure.  He was unable to find words.  The others stared at him.  He pulled himself together.  His fury was incalculable.  He would have liked to strike she whose lips had spilt this sound and revived, nearly to the point of ecstasy, the torment he believed hidden from the world.
     In secret, he pampered her.

Supporting Document
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